An explorative pursuit that seeks to survey internal resonances of an itinerant mind; by using still images in a fluid manner, I have sought to create layered visuals that speak of penetrating surface realities. The short film is an attempt to link the creative cycle to the breathing process and thus, understand it as a living, regenerative experience. While questions flicker in the subliminal horizon, the mundane is rendered a tactile consciousness.
Thoughts embedded in the discursive imagination are agents of infinite possibility, it is when they are given a tangible birth that a stable identity becomes manifest. Yet this work seeks to convey the rupture in each articulation by addressing dualities that are inherent in the expressed images.
Visual Artist, Paul Klee once said, "We must stop and listen for a response to the world in ourselves. This means becoming intimate with objects, reaching a stage... where we can wait attentively and silently until the essence of their being is revealed."
When seen through a phenomenological lens, this endeavour seeks to comment on the act of critiquing. It acknowledges the repetitive nature of visual analysis involving the drain-ing of the mental realm to translate thought into propositional modes of meaning-making.
Thoughts embedded in the discursive imagination are agents of infinite possibility, it is when they are given a tangible birth that a stable identity becomes manifest. Yet this work seeks to convey the rupture in each articulation by addressing dualities that are inherent in the expressed images.
Visual Artist, Paul Klee once said, "We must stop and listen for a response to the world in ourselves. This means becoming intimate with objects, reaching a stage... where we can wait attentively and silently until the essence of their being is revealed."
When seen through a phenomenological lens, this endeavour seeks to comment on the act of critiquing. It acknowledges the repetitive nature of visual analysis involving the drain-ing of the mental realm to translate thought into propositional modes of meaning-making.
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